It is also interesting to read how Simon divides up his year. I, too, decided on a similar tactic a little while ago. I wrote my recent novel (the actual sit down and type part) last winter, which worked out pretty well–since I don’t ski anymore, there’s not much to do outside, and winter was just the perfect time to “stay in” and focus on the book. I also didn’t read any fiction at all while writing, not only because of “style-osmosis,” but I find that a big story like this one is like juggling 5 or 6 balls. It requires a great deal of focus and concentration to keep them all in the air.

Now that it’s summer here in New Mexico, I want to be outside more–hike, camp, and so forth, and I’m also reading fiction again, which is quite nice, actually. It’s also the perfect time to focus on all the other work surrounding this writing business. I am casually working out plot points in my mind, and plan to begin the actual writing process for the sequel this next winter. Not sure how this division will work if/when promotion/travel becomes an issue, but from what you all are saying, one can make it work.

That’s a very good policy. Otherwise you can never go out and socialise because you always feel you should be writing instead.

I think I’m going to sit down with my calendar and block out chunks of writing time so when someone invites me to an event I can say no I’m busy that day. I also plan to get my next book written before the new release so I can spend those months on promotion like Simon does.

Jeri – My editor didn’t seem too upset by the delay either. I really don’t like having to write over the summer, but I’m hoping my new plan works, and I can get some play time in with the natives next summer ;>

Promo is usually Jan to April

Writing & editing is usually April to November.

December is family, and we take a week long holiday some time in April or May.

The promo and writing months can slide around a bit, with overlap, and I don’t do solid promo for months on end. I get plot ideas which I note down, but I don’t actually force myself to write anything.

So like Jim, no advice, just curiosity, and awareness that veteran authors are probably shaking their heads at the three of us.

As for getting the love back, I try to connect with the characters through some commonality. Usually for me it’s music (which songs they would like or would fit the scenes or mood), but it could also be food or art or other objects they would treasure. Something tangible that you can share with the characters.

Advice? I wish I had some, but I’ll be watching the comments to see what other folks suggest.